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Boom Bap loops to build on
Swung drums, crate-dug samples and nothing quantised too tightly. The style that still sounds best with a rapper on it.
Producers working in Boom Bap1
vorxshadeVerified producer
Hip-Hop · Boom Bap · Old School
- Loops
- 17
- Collab
- 1
- Replies
- New
What Boom Bap loops usually bring
Boom bap loops are built around the sound of sampled records: dusty keys, soul and jazz phrases, a walking bass line or a guitar figure, often with vinyl texture and a filter on top. The name comes from the drums, a heavy kick and a cracking snare, and the loop is usually made to sit under exactly that.
Tempo sits between about 84 and 98 BPM, with 90 the classic head-nod. The drums are swung rather than locked to the grid, so a boom bap loop quantised too tightly can feel stiff. Loops tend to be two or four bars, made to repeat for a whole verse without wearing out.
Collaborating on Boom Bap loops
Boom bap has a long habit of one producer's loop becoming another producer's chop: the collaborator slices the loop, rearranges it and pitches it until it sounds quite different from what was uploaded. That is still the loop maker's work underneath, and the credit should say so however far it has been flipped.
On ColabLoop, you ask the loop's owner to build on it, and if they accept, a private room opens with the full WAV to take into your own DAW. When the beat is released, both of you attest that the owner is on the split. ColabLoop records those attestations; registering the split with a PRO or distributor is still yours to do.